A few years ago, when I was staying in New York City, I heard a very disastrous story that one boy was begging in a Korean town, But I could not help the boy whose parents were gone in bankruptcy and wandered alone in a Korean town. I just turned it off. At the time, I was too hard to live in New York because of everything that surrounds me. I could not help it because there was only darkness in front of me. But the thing was strangely in my heart, and emotionall, it made me worse every time I made a movie . After all, I decided to make this story as a feature film. To pray the comfort of the boy, I had to make a movie. So it needed more realism by shooting, Sound, Mise-en-Scene, dialogue than other cool films. I wanted to draw emotions out of reality. I had shot most of the footages in New York City and tried to capture real-life scenes and landscapes. I felt that the power of the raw materials could capture the boy’s emotions — the movie completed through these processes. Finally, I could convey my apologies to the boy through this film.